Danielle O'Byrne
Danielle is interested in experimenting with narrative. With her
current work, she is experimenting with narrative in comic books.
Comics are read for character and story, and the backgrounds are just
setting, window dressing or even space filler, so Danielle is
interested in looking at creating comics that excise (or, more
precisely, do not use) many elements that are considered as defining comics. No words (and thus no verbal-visual blending or balloons),
no characters, no story, no representation, no panels, etc. How many
of those elements can be removed before the work is no longer
considered “comics”?
Danielle is interested in experimenting with narrative. With her
current work, she is experimenting with narrative in comic books.
Comics are read for character and story, and the backgrounds are just
setting, window dressing or even space filler, so Danielle is
interested in looking at creating comics that excise (or, more
precisely, do not use) many elements that are considered as defining comics. No words (and thus no verbal-visual blending or balloons),
no characters, no story, no representation, no panels, etc. How many
of those elements can be removed before the work is no longer
considered “comics”?